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Contents > I’m a Bluesman : The role of perception in the construction of blues music by Andrew Pleffer
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Bibliography

Anonymous. (2005a, June 8). Interview with C.W. Stoneking. Retrieved June 30, 2005, from The ABC Blues Festival website.

(2005b, June 21). Sounds of the maturing minstrel. Retrieved February 16, 2007, from Sydney Morning Herald database.

Barthes, R. (1957). Mythologies (Selected and translated from the French Mythologies, Frogmore: Paladin, 1973 ed.). Paris: Editions du Seuil.

Benston, K. W. (1975). Tragic Aspects of the Blues. Phylon, 36(2), 164-176.

Blainey, G. (1966). The Tyranny of Distance: How distance shaped Australia's history. Melbourne: Sun Books.

Burnett, C. (Director) (2003). Warming by the Devil's Fire [Documentary]. Martin Scorsese presents The Blues. USA: Columbia Music Video.

Carby, H. V. (1998). It Jus Be’s Dat Way Sometime: The sexual politics of women's blues. In R. G. O’Meally (Ed.), The jazz cadence of American culture (pp. 469-482). New York: Columbia University Press.

Charters, S. B. (1959). The Country Blues (2nd edition with a new Preface by the author, New York: Da Capo Press, 1975. ed.). New York: Rinehart.

Coen, J. (Director) (2000). O Brother, Where Art Thou? [Motion picture]. USA: Universal Studios.

Copeland, M., & Goering, C. (2003). Blues you can use: Teaching the Faust theme through music, literature, and film. Journal of Adolescent and Adult Literacy, 46(5), 436-441.

Davis, F. (1995). The History of the Blues: The roots, the music, the people. New York: Hyperion.

Dawson, D. (2004, October 25). CW Stoneking of Maribyrnong Delta. Retrieved February 13, 2006, from Nu Country TV website.

Dougan, J. M. (2001). Two steps from the blues: Creating discourse and constructing canons in blues criticism. Unpublished Doctoral dissertation, The College of William and Mary, Williamsburg, Virginia.

Evans, D. H. (1971). Tommy Johnson. London: Studio Vista.

Evans, H. (2004). The Literature of the Blues and Black Cultural Studies. Unpublished Doctoral dissertation, University of Florida, Gainesville.

Garon, P. (1971). The Devil's Son-In-Law. London: Studio Vista.

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Hunt, C. (Director) (1992). The Search for Robert Johnson [Documentary]. USA: Sony Music Video Enterprises.

King, S. A. (2006). Memory, Mythmaking and Museums: Constructive authenticity and the primitive blues subject. Southern Communication Journal, 71(3), 235-250.

Lobley, K. (2007, February 1). C.W. Stoneking, from Sydney Morning Herald database.

Martin, M. G. F. (1998). Perception. In E. Craig (Ed.), The Routledge Encyclopedia of Philosophy (Vol. 7, pp. 287-293). London/New York: Routledge.

Mugge, R. (Director) (1991). Deep Blues: A musical pilgrimage to the crossroads [Documentary]. USA: Sony Music Entertainment.

Oliver, P. (1984). Blues Off the Record: Thirty years of blues commentary. Tunbridge Wells: The Baton Press.

Pearson, B. L. (1992). Standing at the Crossroads between Vinyl and Compact Discs: Reissue blues recordings in the 1990s. The Journal of American Folklore, 105(416), 215-226.

Rothenbuhler, E. W. (2007). For-the-record aesthetics and Robert Johnson's blues style as a product of recorded culture. Popular Music, 26(1), 65-81.

Rudinow, J. (1994). Race, Ethnicity, Expressive Authenticity: Can white people sing the blues? The Journal of Aesthetics and Art Criticism, 52(1), 127-137.

Russell, T., Smith, C., Slaven, N., Russell, R., & Faulkner, J. (2006). The Penguin Guide to Blues Recordings. London: Penguin Books.

Schroeder, P. R. (2004). Robert Johnson, Mythmaking, and Contemporary American Culture. Urbana: University of Illinois Press.

Siems, B. (1991). Brer Robert: The bluesman and the African American trickster tale tradition. Southern Folklore, 48(1), 141-157.

Small, C. (1987). Music of the Common Tongue: Survival and celebration in African American music. London: John Calder.

Tracy, S. C. (1988). The Devil’s Son-In-Law and Invisible Man. MELUS, 15(3), 47-64.

             (Ed.). (1999). Write Me a Few of Your Lines: A blues reader. Amherst: University of Massachusetts Press.

Wald, E. (2004). Escaping the Delta: Robert Johnson and the invention of the blues. New York: Amistad/HarperCollins.

Wardlow, G. D. (1998). Chasin’ That Devil Music: Searching for the blues. San Francisco: Backbeat Books.

Welding, P. (1966). Hellhound on His Trail: Robert Johnson. In Down Beat’s Music ’66 (pp. 73-74, 76, 103). Chicago: Maher.

Witek, J. (1988). Blindness as a Rhetorical Trope in Blues Discourse. Black Music Research Journal, 8(2), 177-193.

 

Discography

Johnson, R. (1990). The Complete Recordings: Columbia.

Stoneking, C. W. (2005). King Hokum: Low Transit Industries/Inertia.

Tilders, M. D. (1998). I’m a Bluesman: Empire Records.

Various. (2005). The dig Australian Blues Project: ABC Music.

 


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Contents > I’m a Bluesman : The role of perception in the construction of blues music by Andrew Pleffer